With influences as diverse as Rousseau and Francis Bacon, new variations are created from both orderly and random meanings.
Ever since I was a child I have been fascinated by the theoretical limits of the universe. What starts out as hope soon becomes manipulated into a dialectic of power, leaving only a sense of decadence and the possibility of a new understanding.
As shifting forms become reconfigured through studious and personal practice, the viewer is left with a clue to the outposts of our condition.
Unlike regular sculpture, which derives from the dialogue between the artist and his material, thrown sculpture stems from the dialogue between the artist and the machine, its form is predicated on the special relationship between acquired synesthesia and counter-terrorism.
ALL RIGHTS RESERVED TO Robert Faulkner www.robertfaulknerartist.com